BRILLIANT

RANDOM BITS OF INSPIRATION

Whitney Claflin: Isadora, 2012, Mixed media on canvas View high resolution

Whitney Claflin: Isadora, 2012, Mixed media on canvas

Stanley Whitney, Yellow, Noon and Night, 2012. Oil on linen, 152 x 152 cm.  View high resolution

Stanley Whitney, Yellow, Noon and Night, 2012. Oil on linen, 152 x 152 cm. 

The Snail, 1953, Henri Matisse via Tate Modern, London
After 1948 Matisse was prevented from painting by ill health but, although confined to bed, he produced a number of works known as gouaches découpées. These were made by cutting or tearing shapes from paper which had been painted with gouache. The technique, explored in his picture book Jazz (published 1947) and other works, opened up new possibilities for him. Matisse said of the technique that it ‘allows me to draw in the colour. It is a simplification for me. Instead of drawing the outline and putting the colour inside it - the one modifying the other - I draw straight into the colour’ (quoted in Amis de l’art, October 1951). View high resolution

The Snail, 1953, Henri Matisse via Tate Modern, London

After 1948 Matisse was prevented from painting by ill health but, although confined to bed, he produced a number of works known as gouaches découpées. These were made by cutting or tearing shapes from paper which had been painted with gouache. The technique, explored in his picture book Jazz (published 1947) and other works, opened up new possibilities for him. Matisse said of the technique that it ‘allows me to draw in the colour. It is a simplification for me. Instead of drawing the outline and putting the colour inside it - the one modifying the other - I draw straight into the colour’ (quoted in Amis de l’art, October 1951).

At The Candy Store, Lisa Marie Yvonne Duval View high resolution

At The Candy Store, Lisa Marie Yvonne Duval

Untitled abstract 1,  2011, Georgia Gray, 30cm x 30cm acrylic on canvas View high resolution

Untitled abstract 1,  2011, Georgia Gray, 30cm x 30cm acrylic on canvas

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