~ from a former fashion executive turned anti-crime and youth advocate.

ETNIA COSMETICS Campaign by Jose Morraja based in Madri, Spain.

Art direction & concept: Lavernia & Cienfuegos + Neo2 / Ipsum Planet.

Making of: Gsus Fernández

Makeup: De María

Model: Olga at Trends Models BCN



Monica Vitti, Rome, 1960—the year of L’avventura’s release. Photo by Willy Rizzo.
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Monica Vitti, Rome, 1960—the year of L’avventura’s release. Photo by Willy Rizzo.

(via baltic-sky61)



The Interiors of Wes Anderson’ in the latest issue of Apartamento #13

“You could compare Wes Anderson to an interior decorator,”says  Apartamento’s Editor-in-Chief Marco Velardi of today’s enchanting series, taken from the bi-annual title’s latest issue. With the director and screenwriter’s private house strictly off limits, the magazine traces the meticulously considered art of set design in his filmography: miniature brownstone apartments, nostalgic color schemes and embroidered and elaborate costumes. “I always say that a picture of someone’s home tells you a lot more about that person than any portrait possibly can,” muses Nacho Alegre, director and co-founder of Apartamento. “I imagine in a movie the time you have to describe a character is limited, so using the interiors to do so probably becomes something of a necessity.” An intricate visual language has become Anderson’s trademark; in his hands, set design becomes both a storytelling device and character trope, from his shot-on-a-shoestring debut, Bottle Rocket, to his latest saccharine fantasia, The Grand Budapest Hotel. Velardi adds: “Ultimately, if you look at his work there are a lot of interiors, with very peculiar and very precise work on the spaces and what people wear; Wes is passionate about every single detail, and that’s why it’s fascinating for us.” 

(Source: vmagazine)

Interior Design - Raji Radhakrishnan, Raji RM & Associates